A truly analog semi-modular synth.
The PWM Malevolent synthesizer is a truly analog synth, cohabiting the modular and synthesizer world. It boasts multiple connectivity options for endless patching capabilities, including MIDI I/O, Ccock I/O, phones, line out and USB-C.
Malevolent includes a fully featured arpeggiator with independent control and signal capabilities, allowing arp MIDI control alongside patchable signal manipulation. Its USB-MIDI control is completely separate to the analog signal path, working as a totally independent USB to 1 volt per octave USB MIDI interface.
Malevolent includes a fully featured arpeggiator with independent control and signal capabilities, allowing arp MIDI control alongside patchable signal manipulation. Its USB-MIDI control is completely separate to the analog signal path, working as a totally independent USB to 1 volt per octave USB MIDI interface.
Specifications
Includes
- Malevolent semi-modular analog synthesizer
- 5 patch cables
- Power Supply (9V 600mA)
- USB-C lead
- Getting Started guide
- 19.3" x 9.85" x 3.15"
- 5.8 lb.
Features
- VCA (Voltage Controlled Amplifier) with overdrive control
- Compatible with Eurorack standard 1V/oct gear
- Monophonic and patchable, allowing individual pitch control of each VCO and gate control of each envelope
- USB bus-powered
- MIDI in/out
- Headphone out
- Line out
- Analog clock in and out
- Pure Analogue signal path designed by Future Sound Systems
- Pure VCOs
- 19 outputs and 19 inputs for 3.5 mm mono jack cable patching
- Normalized signal path for immediate sound Malevolence
- Additional rear panel line out
- Additional headphone out
- Two voltage-controlled oscillators
- Saw, Triangle and Pulse outputs plus Mix for each oscillator
- 1V/oct pitch control input
- Shape control/pulse width modulation input
- Two Frequency Modulation inputs
- Coarse/fine-tune control
- Shape mod amount control
- FM1 and 2 mod amount controls
- Shape control
- Selectable waveforms for the mix output
- Individual OSC level control
- LFO (Low-Frequency Oscillator)
- Triangle and square wave outputs
- Rate control
- Two envelopes
- Individual ADSR controls for each envelope
- Individual gate inputs
- Individual envelope outputs
- Multi-mode 2-pole VCF (Voltage Controlled Filter)
- Low pass, band pass and high pass individual inputs
- Two Frequency Modulation inputs with amount controls
- Filter cutoff
- Filter resonance
- Mixer
- Noise with level control
- AUX input with level control
- USB-MIDI to 1V/Oct CV & gate conversion
- All pitch and gate control is fully analog
- Analog clock in/out
- Multi-function joystick control
- Left/right for pitch bend
- Performable portamento
- Performable vibrato, in addition to the analog LFO
- Latching hold mode
- Arpeggiator
- Six arpeggiator types (Up, Down, Up/Down 1, Up/Down 2, Played and Random)
- Auto clock sync
- Detects analog/MIDI or USB-MIDI clock and synchronizes the arpeggiator automatically
- Selectable sync rates when clock detected
- Rate/sync control
- Latch
- 6-octave range
- Analog/MIDI/USB-MIDI clock output when the arpeggiator is running
- Keyboard control
- 32 velocity-sensitive mini-keys
- Octave shift +/–4 octaves
- Pitch output
- Velocity output
- Gate output
- Local Off mode for DAW use